“Go away. I’se looking at myself,” had explained Joan, struggling furiously to regain the glass. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.!

“The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.” Joan heard a faint rustle and looked up. A woman had entered. It was the girl she had met there on a Christmas Day, a Miss Ensor. Joan had met her once or twice since then. She was still in the chorus. Neither of them spoke for a few minutes.

Space did not allow of any separation; broken Frenchmen and broken Germans would often lie side by side. Joan would wonder, with a grim smile to herself, what the patriotic Press of the different countries would have thought had they been there to have overheard the conversations. Neither France nor Germany appeared to be the enemy, but a thing called “They,” a mysterious power that worked its will upon them both from a place they always spoke of as “Back there.” One day the talk fell on courage. A young French soldier was holding forth when Joan entered the hut. “You’ll look after him if anything does happen, won’t you?” The woman’s eyes were pleading with her. They seemed to have grown larger. “You know what I mean, dear, don’t you?” she continued. “It will be such a comfort to me to know that it’s all right.” Joan shot a glance. The girl was evidently serious.